![]() ![]() The form of these compositions remains ambiguous, give or take moments when notes begin to connect into melodic fragments that sound viscerally like Young, accidental shards of musical personality on display. 5,” filled indelibly with Young’s favorite gestures as a guitarist: aching chord voicings, fuzztones, and spiky colors that open into broader fields of sound as ideas return and change shape. 6.” The centerpiece is the 14-and-a-half minute “Dead Man, No. It ends with a 30-second melodic coda that sounds like what the narrator of Young’s 1975 “ Albuquerque” might be hearing in their head driving through the New Mexican desert.Įach of Dead Man’s tracks offers subtly different strategies, from the dream swirl of “Organ Solo” to the sustained ghost tones and scandalously indulgent two-note solo of “Dead Man, No. 1,” Young’s guitar scratches a fluttering, almost-steady pulse while muted chords flicker, disappearing before they can resonate and reveal themselves. While Arc might be louder, Dead Man is perhaps even further out, pushing beyond songs and rhythms and noise, and building from the new logic of the world beyond. Young’s closest companion to Dead Man, perhaps even a prequel of sorts, is 1991’s Arc, a 35-minute extended edit of Crazy Horse’s live feedback jams. (These buzzkills, of course, can be bypassed on mediums other than vinyl.) Though they provide an emotional structure for the music and are unquestionably atmospheric sound-art, they’d be buzzkills even without Johnny Depp, interrupting perhaps the purest guitar playing of Young’s discography. 6,” plus “Organ Solo.” They alternate with another half-dozen dialogue-based tracks, Young’s guitar pushed to the background while bits of the movie come up, largely featuring Johnny Depp, who reads the poetry of William Blake. With the tracks unnamed on their original release, the high fidelity Neil Young Archives site now titles the half-dozen instrumentals as “Dead Man, No. Young creates a vocabulary of sound as if he’d been improvising movie scores for decades-a landscape of stark, expressive solo guitar to match Jarmusch’s psychedelic black-and-white Western. A new reissue returns the spotlight to arguably the most satisfying oddity of Young’s half-century career, too committed to be dismissed as a novelty. In a catalog that has ranged from the 1982 vocoder-touched Trans to the 2003 eco-rock opera Greendale, Dead Man remains the only release of its kind. Twitch and his girlfriend find the gold and, as a favor for Burke, set up his account with 80 million dollars along with a plan to help Burke's daughter for college, surprising Burke himself.But it took more than two decades for Young himself to make an album of solo electric guitar music, his 1996 soundtrack to Jim Jarmusch’s Dead Man. Twitch is given parole after his actions that could have seen him wait even longer before he actually gets out, with Burke having to serve only a few more weeks rather than years. Burke and Twitch eventually catch up to Cortez and after a long fight with Burke ending up wounded, Cortez is knocked out and transferred to another prison. Eventually things get more complicated as Twitch's real reason for his transfer is to find the gold from the heist, organized from the fellow New Alcatraz inmate Lester McKena.Ĭortez demands a helicopter out of state or otherwise the hostages are dead. But the situations worsen when the real killer and leader of the Hispanics, Cortez (Robert Madrid) takes Twitch's girlfriend ( Angell Conwell) and Burke's daughter ( Alona Tal) hostage as well, betraying his comrades to escape. But there is a gang war brewing between the Black and Hispanic inmates that explodes into a hostile takeover of the prison when the Blacks' gang leader is shot dead and the finger points at Burke. Twitch, despite being less muscular, is just as mouthy and is pretty much the same. There he crosses paths with Burke (Bill Goldberg) a bulky prisoner who is unfriendly and doesn't want to talk about anyone. He claims it's to be closer to his lady but his real motives are a bit more grandiose than that. After the New Alcatraz massacre, long time inmate Twitch (Kurupt) gets himself transferred to another. ![]()
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